Maja Bogdanov's offensive with the Philharmonic

Maja Bogdanov, our leading cellist, re-assumed with the Beograd Philharmonic, under the direction of Master Daniel Raskin, on May 16, at 20 o'clock at the Kolarcheva Hall, in the place of Maria Brunela, who is from the health The ban is hidden and the guest code is for us. The program features an unusual combination of the music of Schnittke, Wainberg and Shostakovich, and the style of the baroque and Argentine tanga, the Jewish klezmer to the neoclassical grotesque.

“Never mind, it’s not planned at all!” We are so happy about the concert at Petak, with the fantastic Beograd Philharmonic and Master Raiskin with whom we are about to come. By chance, she played with Zemunu on a dugo planiran pedigreed odmoru, without an instrument and concert haina, or she herself, with great joy, planned and listened to Brunel and the Philharmonic. Vainbergov “Concerto for Cello and Orchestra” is right “tour de force”, prvi put sam ga swung the last september from Bavaria and veoma sam se pleased with the sense of Brunel’s famous from Petak. Let’s face it, when I almost immediately got a positive from the Philharmonic and even the Italian soloist’s pity refused to dolazak, the whole situation was more incredible and it was forcibly beaten. With the help of her friends, she got herself a pose and a sofa tool on whom to step on, said Maja Bogdanova about the unplanned attack.

The repertoire of the concert, hosted by the director Daniel Raiskin, is more eclectic than the musical miniature. The program of the Schnittke’s decoction “Polyphony tango”, which at the visit begins to reduce the humor and chilliness, oscillates with the atmosphere of the cafe and the concert hall. After Wainberg's work, inspired by Jewish klezmer from the famous Bogdanovich, Shostakovich's “Deveta Symphony”, the grotesque and ironic performance of the concert, and the composer himself said: “Musicians will adore it.” I’m not angry, and the critics are bad.”