Exclusive: Lauren Groff Reveals Her Next Book, the Short Story Collection <i>Brawler</i>
Seven years have passed since the three-time National Book Award-nominated author Lauren Groff last published a short story collection: the beloved, Story Prize-winning Florida. In the near-decade since, she has published two additional novels—Matrix and The Vaster Wilds—and opened The Lynx, a bookstore in Gainesville, Florida. She’s served as a chair for the National Book Award for fiction and edited The Best American Short Stories anthology. Last year, she was named one of TIME’s 100 Most Influential People of the year. A letter from former President Obama hangs in her office. She reads hundreds of books a year and has provided many of her colleagues with glowing blurbs for those books. In other words, Groff is not only one of our “finest living writers,” as fellow author Hernan Diaz put it to The New York Times; she’s also one of our finest and most beloved literary citizens.
So it’s a relief to know that, in the midst of her ever-growing to-do list, coupled with the shifting gears of modern publishing, Groff has far from abandoned the short-story form. On Feb. 24, 2026, Riverhead Books will publish her next book, a story collection named Brawler.
Groff says she’s been working on Brawler for a number of years now, having pulled a few of its nine stories from as far back as 2016. Organizing each piece meant considering the collection’s connective tissue: Despite its sprawling territory—Brawler jumps from Florida to California to New England and beyond, refusing to stay settled in any one place or time, or with any one cast of characters—the book feels neatly and distinctly of a kind.
“As I’m writing, I don’t have much control over which stories come to me with urgency,” Groff says. “But I do have control over the selection of the stories and the way that they speak to one another. The first story offers questions that are then modified as the stories go on—they’re shifted, they’re moved, they’re seen in a different light. And then the last story has possibly the hardest job, which is to take all the questions that have been asked throughout the story collection, and fragment them, right? I fragment them outward, and create a sense of backwards cohesion.”
Brawler’s assembled stories follow a mother and her children attempting to flee an abusive husband; a young woman newly responsible for her disabled sibling; a talented but angry swimmer awash in her parent’s pain; a group of old classmates gathered to say goodbye to their dying friend; a stunted business scion yearning to make the woman he’s fallen for “presentable” to his family; and more. Each piece brushes up against, as Groff puts it, “the violence that lurks within familial spaces,” which echo within the “larger moments of cultural violence that I think we’ve been in for a very long time.” She continues, “I was thinking about a lot of the hidden loves and the hidden costs of family—a lot of the secrets that we keep from one another.”
The cover features the titular “brawler” from Groff’s story of the same name, first published in The New Yorker in 2019. “Brawler” became the title of the collection after Groff’s literary agent, Bill Clegg, suggested it. “He was like, ‘Of course you’re going to call it Brawler,’” Groff says, laughing. “And I don’t know about you, but right now I feel like we need to fight. There’s a lot of laser-like rage happening now, and so, of course, it would make sense to have a book called Brawler out.”
Brawler’s official artwork—designed by Jaya Miceli and featuring the swimmer in black-and-white, her reflection mirrored in an inky blue pool—was immediately Groff’s favorite of the options Riverhead sent her. “It was the one that I gasped when I saw it,” Groff says. “I was a swimmer, and I have so much love for this girl. I love the way that her swim cap fades into the water, and the way that, if you turn the image upside down, it’s a completely different book. It kind of takes your breath away.”
As a writer, a bookseller, and the aforementioned literary citizen, Groff insists that the breathtaking nature of such art is, in fact, an issue she considers “morally urgent.” That’s what keeps her returning not only to her novels, but to the creation and curation of her short stories. “There are times,” she says, “that I feel unequal to the task of writing in this world because, with the gravity of everything that’s going on, you can trick yourself into believing that it’s not important, right? Or that it’s not important enough to meet with your full soul, because there are people suffering.”
To that idea, she responds with a quote from the William Carlos Williams poem “Asphodel, That Greeny Flower”: “It is difficult / to get the news from poems / yet men die miserably every day / for lack / of what is found there.”
Groff continues, “I do feel very deeply that loving attention to the soul—which is what art is—is just as important, if not more so, than constant attention to the news or to Bluesky or to Instagram. I’m not saying that an individual soul can heal the world,” she concludes. “But I am saying that, if we collectively paid more attention to our own particular souls, possibly the world would be better than it is now.”Brawler is out from Riverhead Books on Feb. 24, 2026.
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